16.04. - 04.09.2011

Landscape and structures

A personal inventory by Jürg Conzett, photographed by Martin Linsi / Swiss contribution to the 12th International Architecture Exhibition of Venice.

This exhibition showcases civil engineering structures which stand out by virtue of their special relationship with the landscape. Civil engineering structures comprise bridges, footbridges, tunnels, retaining walls, passageways, i.e. structures which serve as transport routes. The authors are interested primarily in designed structures with architectural aspirations; structures which on the one hand directly address issues of engineering and economic efficiency and, on the other, are intended to evoke certain sensations among those who use and observe them.The photographs are the result of various joint forays made by the authors throughout Switzerland.

The aim of the work is to illustrate the personal view of an engineer on works that have great meaning for him. In this sense the exhibits have been selected subjectively, without any claim to a balanced choice. In some cases it was a matter of refreshing personal memories of structures that had made a lasting impression on Conzett at a time when he was making his own career choices.

S AM Swiss Architecture Museum will show a version of the exhibition that is in accordance with its premises.

Upcoming exhibitions

19.09.2026 - 03.01.2027

Tony Fretton: Practice

Opening: 18/9/2026, 7 PM

The S AM Swiss Architecture Museum is proud to announce PRACTICE, a retrospective exhibition of selected projects of architect Tony Fretton (b. 1945, London). He established Tony Fretton Architects in London in 1984, which ran until 2024. His published texts on architecture are numerous, and he has taught extensively, including as Chair of Interiors Buildings and Cities at the Faculty of Architecture at TU Delft, and as guest professor at GSD Harvard, ETH Zurich and EPFL Lausanne. He lives and works in London.

Fretton’s buildings and projects are presented at S AM through texts, photographs and drawings. Together, they show Fretton’s practice as continuity of reflection on the existing environment, including the social, cultural and political dimensions of the city and what lies outside it.